Isabella

Isabella

This is an interesting tale of how a person’s life can change unimaginably in one night.

The story takes place in Macau, in 1999 (the last summer before Macau is given back to the Chinese). Shing (Chapman To) is a police officer suspended pending charges of corruption. He drinks, hooks up with prostitutes, spends his money carelessly, until he meets Yan (Isabella Leong). They sleep together, and the next morning he wakes up not only with a hangover…but with a daugher – Yan herself.

Of course, as any other person, he doesn’t believe her at first, although Yan tells him her story (her mother was his first girlfriend, after they break-up she gives birth to Yan…but later on she dies of lung cancer). Shing is the only family she has now.

It’s interesting to see how their friendship develops. At first Shing is not willing to let Yan in his life, but she is unyielding. She keeps coming back to him, and eventually he falls for her innocence, wittiness and brightness.

Because of this relationship, To’s character comes out a better man. A man willing to stop running away from his responsibilities. A man willing to stand up for what he’s done. Because only rogues run. Real men stay and endure.

It is a beautiful well thought out and told story. It keeps you on your toes, guessing what is really happening. A deeply moral story aboyt love, honesty and commitment.

Kakera – A Piece of our life

Kakera – A Piece of our life

The movie is based on the cult manga ‘Love Vibes’.

The story explores the love of two girls, one of which is lesbian(Riko), while the other… confused(Haru). Haru and Riko meet each other over a cheesecake in a coffee shop, overlapping their boring, mundane lives. From the beginning of the movie, until their meeting, all of their habits of everyday living are shown fully by the director. Either Haru drinking her coffee, eating her rice, being tortured by her boyfriend,etc or Riko working on her prosthetic limbs.

After their meeting, the story starts moving upwards. The girls are together, they are all they need. They have fun, they don’t need anybody else. They discover life. It is a gentle, loving relationship, quite the opposite of what Haru had with her boyfriend, who had always tried to have sex with her, torture her, and not care for her. A lesbian relationship is quite unusual, even to a society that has accepted such relationships, so it was a good decision to for the director not to include raw, sexual love scenes. Instead, he shows a tender love exploring sexuality.

They are both happy until Riko starts to get possessive. Haru starts seeing her old relationship again and runs off.

Inspirations

Quite frankly, I can be inspired by pretty much everything that is around me. From the morning coffee I have with 2 sugars and a bit of milk, to the total mess in the corner of my room.

So far, at university, one of the best experiences I’ve had is with my photography. I have mentioned him in my Cabinet of Curiosities, but here he is again, my eternal inspiration – Nikola Borissov.

As in every photography course, every teacher will tell you to copy the style of an artist you like.

So this is the work I really like by him (he has a whole series of such pictures, exploring female beauty)

And this is my work:

This is an auto portrait. I really prefer exploring the capabilities of my camera on my own, so I had a little workshop in my room. It was quite funny, I turned my whole room upside down for this shot. I had a bed sheet spread across my room, so I had a neutral background, and I was standing in front of the window holding a reflector in one hand, and a remote for my camera in the other, and trying to stand normally in front of my camera situated on the tripod…. gosh this was a long sentence, let me take a breath! =D

72 hour challenge reflection

Dreamcatcher

72 hours may as well be not enough and quite a lot of time to produce a media object. For our time given and the skills we have, I think our group made a very decent advertisement video, which cannot be considered to be very common.

The main idea for this advertisement was to be used for the internet, for a website selling dream catchers. The target audience is the active society, the internet users, mainly students and teenagers, as  the whole advert is extremely simplified, it basically gives the audience the feeling that if they do not own a dream catcher, they would have nightmares.

Stuart Hall’s Reception theory states that the audience can be broken down to people’s different backgrounds. For instance, if a person shares the similar interests, experiences and cultural background as the author of the media object, he is very likely to fully understand the message, which is sent out by the creator, and the opposite – if he is from a different background he can either partially understand it or not understand it at all. In Dreamcatcher’s case, the different kinds of readings are:
- preferred reading: in this situation the intended message of the advert is absorbed correctly – the person buys the product.
- negotiated reading: here the object is understood, but the person has enjoyed the object but will not go as far as to buy the product
- oppositional reading: the object is again understood, but the person disagrees with it – they consider the advert rubbish and silly
- aberrant reading: here the object is misunderstood or misinterpreted. The person has missed the point of the advert, or they had enjoyed it, but never realised it was an advertisement for a product.
Since the movie is in two parts, the readings can be combined – a person can do a preferred reading on the first part, and an aberrant reading on the second, and so on.

Narrative is a “chain of events in a cause/effect relationship in time and space” (Bordwell and Thompson 1990:55) and here it is very basic – James is our lead character, who is having a problem – nightmares. He acknowledges it, and his solution to the problem is buying a dream catcher.

Todorov and Propp’s methods can be easily used to summarize the story. At the beginning (the equilibrium), James (the hero of the story) is sleeping and having dreams, when the nightmares (the disruption) occurs. Scary personas (the villains) enhance his nightmare. He wakes up, realizes that the nightmare is not over, and when the new day begins, he decides to buy a dream catcher in order to solve his problem (the recognition). He buys and puts up the dream catcher (the helper and the attempt). He falls asleep again, and the nightmare is over – he starts having happy dreams (enhanced equilibrium).

As mentioned by Gillespie and Toynbee (2006:89) a story is “not just what we see and hear. It is the sum total of all the events that are presented to us explicitly, as well as those we infer”. By that they refer to the diegetic and non-diegetic. The diegetic part of the object is everything that is happening in the world of the story – everything know to the characters of the story, while the non-diegetic is everything else used to enhance the influences of the  media object. In our case that’s the background sounds and noises and the filters of the video.

If we use Gillespie and Toynbee’s main three points of understanding and investigating narrative, we start with examining the narrative structure. It begins with a person with a certain problem, and it ends with a positive ending – the person has solved his problem. What changes during the narrative is, that the character finds a way to resolve his situation. The second part is that we explore the process of narration, which is quite simple. Person has nightmares, person buys dream catcher, nightmares go away. Third point is to explore the social, political and ideological assumptions – how the story represents groups in certain ways.

As far as gender is concerned in the ad, feminine or masculine stereotypes cannot be easily assigned. It can be said that the main character is not a typical male hero. He doesn’t solve the problem himself – he needs to buy the dream catcher to solve his problem. But yet again, he can be described as a “new age man” – one, that is not afraid to show or admit, that he cannot solve his problems on his own and needs help, he is neither strong nor heroic. The role of the female characters in the video is also not stereotypical. Instead of being passive, attractive to the male audience, or in trouble and in need to be “saved”, they are the exact opposite – they are rather active, as they try to scare the main character, they have a demonic appearance, and in stead of being in need to be saved, the main character needs to be saved from them.

The way the whole video is represented is divided in two – a scary and a happy part. In the first, in order to make the video look like a nightmare, the movement is slightly slowed, and a green filter is added. Distorted, black-eyed demons, changing light and shadows, whispering background sounds. Everything adds up to a very disturbing image, which the audience can easily relate to. After the nightmare, there is bright light and vivid colours, laughter, smiling and happy people, positive and calming music – an the opposite of the terrifying image before it.

Symbolism in the video can be narrowed down to one specific scene. First one is when the male demon handcuffs the hero. It shows that the lead character cannot escape from his dream. It’s inevitable – even when the character thinks he has woken up from the nightmare – it continues.
This viral advert, as successful as it can possibly be, is entertaining, quite catchy and memorable. The symbols and representation methods used really trigger different kinds of emotions in the public. It starts with a bit of mystery, horror, panic, tranquillity, and happiness. It is also made very casual, and with a slight sense of humour, which gets to the audience. I might say, that for the time provided, our group did more than well.

References:

Bordwell, David and Thompson, Kristin, 1990, Film Art, Berkshire, McGraw-hill Professional
Gillespie, Marie and Toynbee, Jason, 2006, Analysing Media, Berkshire, McGraw-hill Professional
Hall, Stuart, 1980, ‘Encoding/decoding’ in Centre for Contemporary Cultural Studies (Ed.): Culture, Media, Language. London: Hutchinson.

You can’t win if you don’t love a good fight

Shinjuku Incident

Synopsis: Controversial and confrontational, ‘Shinjuku Incident’ marks a major step away from the Kung-Fu comedy films that are synonymous with international superstar Jackie Chan. Focusing on the Chinese migrant communities that lived illegally in Tokyo and on their often criminal and shadowy lives, the fact that the Japanese would neither acknowledge nor welcome them lies at the centre of this often brutal film. A rare insight into the antagonism and ill feeling between the Japanese and Chinese, banned from release in China, ‘Shinjuku Incident’ is an unsettling but eye-opening experience

This is quite not the typical Jackie Chan movie – he is not the funny and silly kung-fu guy walking around smiling and bringing justice in a funny way. On the contrary – he is this serious guy, who doesn’t know how to fight!

At first I couldn’t really grasp the idea of it, just like when I watched ‘The Number 23″ with Jim Carrey. For the first 10 minutes of the film, I ask myself if this is come kind of joke, but after that I could really see how amazing these actors are.

The story takes place in Tokyo, some time in the 1990, a period when illegal immigrants arrived in boatloads from China.

Chan as well as the lead actor is the director of Shinjuku Incident, and he does a great job at it. His character, Steelhead, shows us the other apsect of Chan’s acting – the drama.

The movie is quite not the one to watch on a sunny afternoon out of boredom – this is a very heavy and hard to grasp movie to watch. There is a lot of violence, and Jackie Chan hasn’t laid aside any of it.

Through the film, it’s interesting to see how Chan’s character develops – his rise to leadership and his touching life story. It’s woven with two love stories and one tale of brotherhood; it’s complicated, but not hard to follow.

Jackie Chan’s character is both endearing and tragic, and the stories he takes part in are sad, suspenseful, and enlightening. His film has a warm heart, shackled in the grip of a dark, violent criminal world, and though it may remain obscure for a while, it’s a genuine cinematic success.

Broadcast Journalism, Law and ethics reflection

I really had a blast doing this course. It was a lot of fun and hard work, but at the end (especially when I got my grades back haha) it was worth it. Here the reflections on some of the activities we had to do throughout the course:

Newsday:

Newsday wasn’t as dreadful as I had imagined it would be. To be honest, I enjoyed it. It put all the skills I had acquired through the course of study, and the atmosphere in the newsroom was incredible – people running around with edirols, printing documents, arranging meetings on the phone…

I think I need to practice my writing for radio more. I don’t write clearly and simple enough for radio yet. I also need to practice on my reading – it’s a bit harder for me since I’m a foreigner, but I do my best to sound nice and clear. I slipped a bit during the recorded reading, but I think that was due to my nervousness.

What I would do for my next news bulletin is to be more prepared. I need to work on my speech and writing skills.  should stop trying to sound smart, instead of succinct, because that’s what radio is about. I also need to stop rushing when trying to read in front of the microphone.

Practice, practice, practice. That’s the main thing I’ve learned from newsday. I know all theory about making news for radio – being concise, reading while standing up, so I can take breaths nicely, and so on. Everything seems to disappear when you have a time pressure and when you sit in front of the microphone to read in front of an audience.

Overall, I think me and Elena did great. We had an hour and a half to gather the news and clips, and she did an amazing job with collecting a vox pop in 20 minutes, just in time to edit it and make it in the time slot. We worked amazingly as a team – we both helped each other with our stories and exchanged opinions.

It was a nice experience, and I am looking forward to the next news day. I hope I am even more pleased with the results than today.

Court report:

Going to court was exciting. I’ve never been to court, even in my country. To be honest, it was quite funny the first time I walked in the court room and seeing the judge and barristers wearing wigs. It was quite entertaining!

It was a nice having Nadia Baird as company. This way we could exchange information and notes, which was quite helpful.

What I would do differently for my next court report is to do a better background check. The case I went to was ongoing, and I caught the second day of it.

And as I said in the newsday reflection – I need to practice my reading, since I am doing a dreadful job at the moment.

News Package:

I am quite happy with my news package. Although as in my other reflections – I REALLY do have to improve my reading skills. But overall, it turned out quite nicely.

I am very grateful fro all the help from Marcos Young. Not only that he gave me an amazing interview for my topic, he arranged a meeting for me with Mez Packer.

It all went quite easy, both Marcos and Mez were quite talkative and helpful, as well as the book seller from Waterstone’s I interviewed. This book seller was not my main idea – I wanted to interview the owner of a second-hand bookshop near the library, but he refused to answer any of my questions. I really don’t know how I could have done any better, as I was very polite and I explained to him that this was not to be aired anywhere, it was just for my coursework.

My first real photoshoot

My friend Maggie studies Fashion Design here, in Coventry, and asked me to help her with one of her courseworks – a photoshoot with one of her clothes designs (a pop-art garment).

She wanted to make it during the night, having nice colourful lights around.

Since I don’t really have the money to buy nice lighting equipment I bought a torchlight, which actually served a great job.

Here some of the unedited pictures from the photoshoot:



A Forgotten Kingdom

What do you know about Bulgaria? Yogurt? Cheap ski and beach resorts? These places are nice to visit, but what most people don’t know about Bulgaria is its rich history. The Balkans have seen many wars, many losses, many triumphs, treasures and cultures and what I am about to tell you now is the story of one of the oldest cities and the largest megalith on the Balkans – Perperikon.  A city, which is said by archaeologists to be more than 9000 years old, built in the holy Rhodope mountains by the Thracians – a nation of spiritual people with rich culture. They were all gifted craftsmen, wine brewers and musicians, and skilled warriors as well.  It is thought that the famous sanctuary and oracular shrine dedicated to Dionysus was situated there.

The legend of Dionysus

Long ago, when the Gods still lived among people, Zeus fell in love with the beautiful Semella. The gift of their love becomes the little Dionysus. After the lightning god embroiders the child in his thigh, it is born beautiful and joyful among the other gods. Surrounded by dozens of satyrs with goat hooves and  magnificent maenads, Dionysus roams the world and teaches people how to grow grape vines, making stunning, fragrant wine from it”.

Thus, celebrations occurred in his honour – orphic mysteries, who were made only by the devoted, which were only unmarried men. They were called the abitikos (not of life) for their life was not of ordinary men. The rites took place away from intruding eyes in deep mountain gorges and caves (such as one finds in the eastern Rhodope, the Strandzha and Sakar). The participants enacted a pantomime and a chorus sung the narrative. The high point in the ritual was the enactment of the death of the King Priest – an allusion to the archetypal myth in which the Titans dismember and devour the young god Dionysus – and the conception by the Mother Goddess. The former involved a blood sacrifice of a bull, horse or goat, or sometimes even a human; and the latter, indiscriminate mass copulation, which prompted the ancient Greek historian Herodotus to denounce the Thracians’ sexual wantonness. Much later, the Orphic rites transcended into the Roman bacchanalia marked by orgiastic revelry and drunkenness in honour of Bacchus.

Structure of Perperikon

Broadly speaking, Perperikon comprises four elements – the citadel, an acropolis at the top of the hill, a palace or temple immediately beneath the acropolis and facing southeast, and two outer cities – one on the northern and one on the southern slope of the hill. So far, no archaeological research has been done of the two outer cities but terrain observations indicate that they had streets and secular and religious buildings carved in the rock. A host of villages flocked at the foot of the hill and the fertile river valley was densely inhabited throughout the period of Roman rule. The hilltop was protected by the acropolis whose walls are 8 and a half feet thick. No bonding mixture was used for the walls; they were built of solid stone blocks, perfectly finished on each side, and layers of crushed rock separated the rows of blocks. All along its perimeter, the wall was built directly onto the rock surface of the hillside. The builders had to carve special beds in the rock to lay the foundation blocks. These have been wrongly described as steps, while they actually allow to trace the perimeter where sections of the wall are missing. Behind the walls, the acropolis was densely built up. The ground floors of the buildings were entirely carved in the rock. Even though a considerable part of the complex is still covered with earth, the 21st century visitor can walk down broad streets and step over doorsills carved in the rock, with holes for the doorposts preserved. As if not so long ago, Perperikon was still a vibrant community.

Carved in the rock in the eastern part of the acropolis is a large basilica-planned structure. Archaeological research suggests that it was a pagan temple transformed into a Christian church by the addition of an apse to house the altar. At the western end, two monumental stone portals preserve the holes for what must have been double doors. A portico leads from the basilica into the heart of the acropolis, its columns intact, still in place, thus completing the Classical makeup of the structure. Two gates of the acropolis have been unearthed so far. One leads into the citadel from the west and is guarded by a rectangular barbican; the other, opening onto the south, was discovered in 2002 and is particularly important because it leads to a grand palace (or temple).

The temple of Dionysus

For more than a century archaeologists have searched for the remains of the famous temple where Dionysus had an oracle. It is believed that the discovery will be as important as that of Troy and Mycenae. Very little is known about the temple today and the only thing which is know for sure is that it was in the Holy Rhodope mountains.  The latest archaeological excavations at Perperikon revealed a site almost literally described by the ancient authors as the Temple of Dionysus in Mount Rhodope. A huge hall was carved into the rock and apparently left roofless, judging by the absence of holes for any roof beams in the surrounding rock walls. At the very centre of this open space, a magnificent round altar was sculpted from the rock, almost 6 ft in diameter and rising approximately 9 ft above the floor. The top of the alter revealed a multitude of oval cavities filled with fragments of late Bronze Age and Iron Age pottery. Northeast of the altar, an almost square platform must have served some ceremonial purpose. Fragments of smaller, clay alters were found at the foot of the central one. Perperikon and the rocks all around it are scarred by thousands of troughs, basins and spillways, which are difficult to study because most of them lie under centuries of earth. Excavations in 1983 unearthed a considerable portion of the northern slope but one can only imagine the sight that met the eye of the ancient beholder: the mammoth rock with thousands of alters cut in its side and the magnificent shrine perched on its top.

The ancient Greek historian Herodotus is the main source of information about the temple of Dionysus. In his famous History, Herodotus gives an account of the march of Xerxes’ immense army on Greece in 480 BC. As the huge invasion force was slowly making its way along the Aegean coast, many Thracian tribes sent envoys to pledge their allegiance to Xerxes. Only the Satrians, who inhabited the Rhodope, chose to ignore him. Herodotus never himself travelled across Thrace and the geographical references in his account are often vague. He placed the Temple of Dionysus on the ‘most lofty mountains’ held by the Satrians, which were ‘covered with forest of all kinds and with snow’. This led scholars to believe that the Temple was located in the high western part of the Rhodope range. Few had thought of the fact that only the highest ridge of the southern Rhodope can be seen from the Aegean coast. Beyond it, are the low, habitable middle and eastern ranges of the mountain which abound in archaeological remains from various ages. Among them, the holy city of Perperikon, the biggest megalith in Europe, is both a geographical and a historical landmark.

The Oracles

Herodotus found the Oracle of Dionysus in the land of the Satrians remarkable: “It is a prophetess who utters the oracles, as at Delphi.” Other sources provide evidence of at least two of those oracles which left a mark on world history. Undoubtedly, the most important record in this regard is Suetonius’ account of the visit paid by the first Roman Emperor’s father to the Temple of Dionysus in the Rhodope. The prophets sat in a roofless oval chamber and wine and fire were used to deliver the prophecy: the wine was spilt onto the altar and the height of its flame signified the prophetic answer and as the Roman historian tells us: “When Octavian, father of Augustus, at the head of his army, came upon the Holy Mount of Dionysus, he consulted the oracle about his son, and the prophets said to him that his son was to rule the world, for as the wine was spilt onto the altar, the smoke rose up above the top of the shrine and even unto heavens, as had happened when Alexander the Great himself had sacrificed upon that same altar.” Alexander was told that he was to conquer Asia, and the Romans, that they were to establish a world empire.

The legend of Orpheus

Orpheus, one of the best loved ancient heroes, was born in Thrace. The ancient Greeks believed that he was the son of the river god Oeagrus and Calliope, the Muse of epic poetry.

A magnificent poet and singer, Orpheus rivalled even the god of poetry and music Apollo. His heavenly voice cast a spell on everything, animate and inanimate, and having joined the Argonauts on their quest for the Golden Fleece, he helped them escape the Sirens by singing so sweetly that he drowned out their perilous song. He was often portrayed playing the lyre, which Apollo gave him, and his music enchanted the trees and rocks and tamed wild beasts, and even the rivers turned in their course to follow him.

Greek myth also tells us about Orpheus’ ill-fated marriage to the lovely wood nymph Eurydice. Soon after the wedding the bride was stung by a viper and died. Orpheus was determined to go to the underworld and try to bring her back. Hades, the ruler of the underworld, was so moved by his playing that he gave Eurydice back to Orpheus on the condition -  not to look back until they reached the upper world. Orpheus could not control his eagerness, however, and as he gained the light of day he looked back a moment too soon, and Eurydice vanished. In his despair Orpheus forsook female company and was killed by a fierce band of Thracian women, maenads or bacchantes, during a bacchanalia, an orgiastic rite in honour of Bacchus (Dionysus). It is certain that Orpheus was of Thracian origin; ancient art invariably portrays him in the traditional Thracian costume. He must have played an important role in the Thracian religion, of which little is known today. It would seem that in Thracian lore Orpheus was a priest or magician wielding supernatural power. Scholars believe that a philosophical cult, Orphism, was drawn from his teaching and songs. It must have originated in Thrace at the beginning of 900 BC and later spread across ancient Greece and the Mediterranean. Among its followers were even some Roman emperors.

To see such a wonder of human creation on a craggy hilltop in the deepest recess of a wild mountain almost defies belief. If you happen to visit Bulgaria, take the time to visit.

Changing from Journalism to CCM

Well, the year has past and I started evaluating it. I came to the conclusion that I am not fit for journalism. I just don’t feel that this is the right path for me, so I changed to CCM.

Throughout the course I learned a lot of amazing things, but when I look back at it – the things I enjoyed the most were the technical aspect of things – working in the radio studio (operating it, not reading in front of the mic), designing the magazine, filming the movies and doing the tasks for 100mc, 122mc and my addvantage – photography.

So for now, I hope I’ve made the right decision.